Set Up’s & Results - Lightbridge

Happy End

DoP - Christian Berger, Director - Michael Haneke
Hands-On

The restaurant sequence of the film was recreated in a studio in Paris.

For the sunlight we used 100 x 100cm DIFF2, blue C-Reflectors .

The skylight came from three 20m x 6m light grid truss frames and was lit with 4 and 6K’s K5600 Alphas.

For the greenscreen we used Skypanel 60’s on DMX.

TRAILER

IMDB

Hard Facts:

10 x 100×100 remote controlled C- Reflectors
6 x 50×50 remote controlled C- Reflectors
30x Skypanel for greenscreen
24 x 4k 5600 Alphas for skylight
3 x 18 x 6m lightgrid truss frames

Mon Guerlain Commercial

DoP - Christian Berger, Director -Terrance Malick
Light! Talks

CRLS 100x100 prototype C-Reflector remote heads being tested on set. But of course this can also be done with ropes attached to the 100x100 C-Reflectors. Light weight, easy to extend beyond the rooftop. The beams were ...

By the Sea

DoP Christian Berger, Director Angelina Jolie
Light! Talks

One of the biggest advantages of the C-Reflectors is the possibility due to the small surface, is to shoot in strong winds. Working directly at the ocean we were still able to shoot when standard butterflys would have ...

Commercial Cellphone

2016, DoP Mario Minichmayr
Light! Talks

The CRLS is finding it's way into the commercial world. A new look, a new efficiency to handle the challenges of todays productions. Third floor, no elevator, two location moves to go. But a quality to ...

Behind the Light