DoP - Christian Berger, Director - Michael Haneke
Hands-On
The restaurant sequence of the film was recreated in a studio in Paris.
For the sunlight we used 100 x 100cm DIFF2, blue C-Reflectors .
The skylight came from three 20m x 6m light grid truss frames and was lit with 4 and 6K’s K5600 Alphas.
For the greenscreen we used Skypanel 60’s on DMX.
Dop - Jrp Altman, Director - Julian Pölsler
CRLS Product Infos
To add some moonlight into the building we used a 100 x 100 violet C-Reflector. We used a 400w K5600 Joker Bug with a source 4 adapter. We shot on iso 800 and T-stop of 2.8. ...
DoP Christian Berger, Director - János Szász
CRLS Product Infos
Easy set up, full control. We angled the reflector with ropes and the amount of light by panning the beam. Since we were a small crew it was important to only have set-ups that could be ...
2016, DoP Walter Kindler, Gerald Helf - Director: Julian Pölsner
CRLS Product Infos
Creating natural light with a 400W Joker and a 50x50 C-Reflector with very limited space and still be able to create fast and easy setups.
2012, DoP Christian Berger
CRLS Product Infos
This was the only location in the film with additional crew to set up the towers. We had storms that day, so luckily no butterflys outside, only 100x100 C-Reflectors that have a much easier time in ...
DoP Christian Berger, Director - János Szász
CRLS Product Infos
"The Notebook" was our second job with Christian Berger. It was a very small movie shot in Hungary and Germany on location. There was little space for gear inside the locations so we tried to keep ...
DoP Christian Berger, Director - János Szász
CRLS Product Infos
Christian didn't want to re-light between set-up's so we lit the whole room in order to help actors. We were also looking out of the windows, so we needed a cherrypicker. But because the reflectors are ...